Some of our suggestions for "Celia A Slave" book searches. Get the complete book FREE for you, please register your account. We are happy to welcome you. Easy and Fast.
Celia was an ordinary slave--until she struck back at her abusive master and became the defendant in a landmark trial that threatened to undermine the very foundations of the South's "Peculiar Institution."
Originally published in 1991, Celia, a Slave illuminates the moral dilemmas that lie at the heart of a slaveholding society by telling the story of a young slave who was sexually exploited by her enslaver and ultimately executed for his murder. Melton A. McLaurin uses Celia’s story to reveal the tensions that strained the fabric of antebellum southern society by focusing on the role of gender and the manner in which the legal system was used to justify slavery. An important addition to our understanding of the pre–Civil War era, Celia, a Slave is also an intensely compelling narrative of one woman pushed beyond the limits of her endurance by a system that denied her humanity at the most basic level.
Recounts the story of Celia, a slave in antebellum Missouri who killed her master after five years of sexual abuse at his hands and was later found guilty of murder and hanged
The winner of the 2015 Yale Drama Series playwriting competition was selected by Nicholas Wright, former Associate Director of London’s Royal Court. Barbara Seyda’s stunningly theatrical Celia, a Slave is a vivid tableau of interviews with the dead that interweaves oral histories with official archival records. Powerful, poetic, and stylistically bold, this work foregrounds twenty-three diverse characters to recall the events that led to the hanging of nineteen-year-old Celia, an African American slave convicted in a Missouri court of murdering her master, the prosperous landowner Robert Newsom, in 1855. Excavating actual trial transcripts and court records, Seyda bears witness to racial and sexual violence in U.S. history, illuminating the brutal realities of female slave life in the pre–Civil War South while exploring the intersection of rape, morality, economics, and gender politics that continue to resonate today.
Walker took seriously God's expectation that justice be done in righteous ways and that persons respect the humanity and dignity of self and others, fundamental claims of the Hebrew Prophets."
This coursebook offers an exciting new approach to teaching criminal law to graduate and undergraduate students, and indeed to the general public. Each well-organized and student-friendly chapter offers historical context, tells the story of a principal historic case, provides a modern case that contrasts with the historic, explains the legal issue at the heart of both cases, includes a unique mapping feature describing the range of positions on the issue among the states today, examines a key policy question on the topic, and provides an aftermath that reports the final chapter to the historic and modern case stories. By embedding sophisticated legal doctrine and analysis in real-world storytelling, the book provides a uniquely effective approach to teaching American criminal law in programs on criminal justice, political science, public policy, history, philosophy, and a range of other fields.
In the tradition of Eric Lott's award-winning Love and Theft, Hartman's new book shows how the violence of captivity and enslavement was embodied in many of the performance practices that grew from, and about, slave culture in antebellum America. Using tools from anthropology and history aswell as literary criticism, she examines a wealth of material, including songs, dance, stories, diaries, narratives, and journals to provide new insights into a range of issues. She looks particularly at the presentations of slavery and blackness in minstrelsy, melodrama, and the sentimental novel;the disparity between actual slave culture and "managed" plantation amusements; the construction of slave culture in nineteenth-century ethnographic writing; the rhetorical performance of slave law and slave narratives; the dimension of slave performance practice; and the political consciousness offolklore. Particularly provocative is her analysis of the slave pen and auction block, which transmogrified terror into theatre, and her reading of the rhetoric of seduction in slavery law and legal cases concerning rape. Persuasively showing that the exercise of power is inseparable from itsdisplay, Scenes of Subjection will interest readers involved in a wide range of historical, literary, and cultural studies.
This collection of 12 original essays brings together two themes of American culture - law and race. Cases discussed include Amistad, Dred Scott, Regents v. Bakke and O.J. Simpson.